长歌当哭——弗吉尼亚·伍尔夫的另类战争观  

Women Must Weep: Virginia Woolf’s Alternative Perspectives on War

作　　者：陈晓兰[1] CHEN Xiao-lan(College of Liberal Arts,Shanghai University,Shanghai 200444,China)

机构地区：[1]上海大学文学院,上海200444

出　　处：《山东女子学院学报》2024年第3期70-78,共9页Journal of Shandong Women＇s University

摘　　要：弗吉尼亚·伍尔夫不幸生逢20世纪两次世界大战,战争是其思想意识和文学创作的核心主题,其重要作品大部分创作于20世纪二三十年代即两次大战的间歇期。不同于主流战争文学,伍尔夫在战后或者战前,以后方平民特别是女性的视角,再现远离战场的后方平民的间接战争体验,以独特的战争话语揭示了战争对个体日常生活和精神世界的持久影响。伍尔夫的战争书写打破了战时与平时、前线与后方、战士与平民截然区分的界限,拓展了战争书写的时间与空间范围。她的战争书写表现出与国家主流战争话语截然不同的特征,她的另类战争观为后世理解两次大战提供了独特的维度。Virginia Woolf was unfortunately born between the two World Wars.The war becomes a central theme of her intellectual consciousness and literary output.Most of her important works were written during the peaceful interwar period between the 1920s and 1930s.Unlike mainstream war literature,they represented indirect war experiences from the home front through the eyes of civilians,in particular,women.Consequently,her writings revealed the lasting impact of war on individual daily life and mental world.In this regard,Woolf expanded the temporal and spatial scope of war writing,by breaking the dichotomy between wartime and peacetime,between the frontline and home,and between soldiers and civilians.Her contemplation of the nature of war further reflected original perspectives on war in stark contrast to mainstream national war discourses and contributed novel dimensions to the understanding of the two World Wars for future generations.

关 键 词：弗吉尼亚·伍尔夫 战争书写 战争观 

分 类 号：I206.4[文学—中国文学]