异空间的想象与传承:新武侠“洞穴”意象研究  

Imagination and Inheritance of Different Spaces:A Study on the Imagery of“Caves”in New Martial Arts

作　　者：陈卫华[1] Chen Weihua(School of Literature and Journalism,Hunan University of Technology,Zhuzhou Hunan 412007,China)

机构地区：[1]湖南工业大学文学与新闻传播学院,湖南株洲412007

出　　处：《衡阳师范学院学报》2024年第2期89-95,共7页Journal of Hengyang Normal University

摘　　要：20世纪的中国新武侠作品营造了诸多“洞穴”意象。这类意象别有洞天,充满神秘感,具有空间的隐秘性、时间的悬置性、内涵的传奇性、主题的伦理性等特征,深受道家洞穴信仰、传统隐逸文化、佛家重生观念等的影响。作为江湖空间的一个特殊构件,小小“洞穴”意味深长,负载着人类心灵进化史中沉淀下来的经验与模式,既是具有中国文化特质的原型在艺术作品中的无意识表达,也是民族集体无意识心理的空间隐喻。The works of the Chinese new martial arts of the 20th century have created many“cave”imageries.This type of imagery has mysterious characteristics,such as the secrecy of space,the suspension of time,the miraculous nature of connotation,and the privilege of belonging.It is deeply influenced by Taoist cave beliefs,traditional reclusive culture,and the concept of Buddhist rebirth.As a spe⁃cial component of the martial arts space,the small“cave”carries profound meaning and carries the experiences and patterns accumu⁃lated in the history of human spiritual evolution.It is not only the unconscious expression of the prototype with Chinese cultural charac⁃teristics in artistic works,but also the spatial metaphor for the unconscious psychology of the national collective.

关 键 词：新武侠 “洞穴”意象 异空间 原型 

分 类 号：I206[文学—中国文学]