王文生“中国抒情文学思想体系”的建构及其意义  

The construction of Wang Wensheng’s thought system of Chinese lyric literature and its significance

作　　者：石了英 SHI Liaoying(School of Humanities and Education Science,Foshan University,Foshan 528000,China)

机构地区：[1]佛山科学技术学院人文与教育学院,广东佛山528000

出　　处：《佛山科学技术学院学报（社会科学版）》2024年第3期82-88,共7页Journal of Foshan University(Social Science Edition)

摘　　要：从某种程度上来说,王文生的“中国抒情文学思想体系”是在他与现代学术界各类文学研究观点展开辩驳的过程中建构起来的,在一破一立之间,王文生走向通过“中西比较”建构具有中国原味的抒情文学思想体系的学术道路。从中国文学研究现代化进程的脉络看,王文生的“中国抒情文学思想体系”研究不仅接续了五四学术传统,对中国传统文论进行了“现代化”总结,也让文学研究回归文学自身,对文学社会学的研究取向进行了纠偏,同时丰富了海外“中国抒情传统”的阐释面向。To some extent,Wang Wensheng’s“Chinese lyric literary thought system”was constructed through debating various literary concepts and literary studies in the modern academic community.Between deconstruction and establishment,Wang Wensheng embarked on an academic path to construct a lyric literary thought system with Chinese characteristics through Sino-Western comparisons.From the perspective of the modernization process of Chinese literary studies,Wang Wensheng’s research on the“Chinese lyric literary thought system”not only continues the May Fourth academic tradition and modernizes the traditional Chinese literary theory,but also returns literary research to literature itself,correcting the research orientation of literary sociology,while enriching the interpretation of the overseas“Chinese lyric tradition”.

关 键 词：王文生 抒情文学 抒情传统 思想体系 现代化 

分 类 号：I206[文学—中国文学]