《平山冷燕》叙事“才”“情”分离特征探析  

A Narrative Analysis on the Separation of “Talent” and “Love” in Ping Shan Leng Yan

作　　者：臧林森 Zang Linsen(College of Chinese Language and Literature,Henan University,Kaifeng,Henan 475001)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《嘉兴学院学报》2024年第3期62-69,共8页Journal of Jiaxing University

基　　金：国家社会科学基金(22&ZD259)。

摘　　要：《平山冷燕》作为明末清初才子佳人小说的典范作品,在叙事结构与人物形象上不同于其他同类小说所普遍遵循的才、貌、情三者的统一,而是呈现出一种才、情分离的特征。其主要原因与作者的创作心理、作品中的“尊女”内涵以及作者对科举的复杂心态有着密切的联系。Ping Shan Leng Yan,as a model work of the genius and beauty novels in the late Ming Dynasty and the early Qing Dynasty,is different in narrative structure and character image from other similar novels that generally follow the unity of talent,appearance and love,but shows a characteristic of separation of talent and love.The main reasons are closely related to the author's psychology of creation,the connotation of“respecting women”in his works and his complicated mentality towards the imperial examination.

关 键 词：才子佳人小说 《平山冷燕》 叙事结构 人物形象 天花藏主人 

分 类 号：I207.22[文学—中国文学]