生物艺术的历史演进与当代实践  

The Historical Progress and Contemporary Practice of Bioart

作　　者：刘艺 LIU Yi(Si-Mian Institute for Advanced Studies in Humanities,East China Normal University,Shanghai 200241,China)

机构地区：[1]华东师范大学思勉人文高等研究院,上海200241

出　　处：《集美大学学报（哲社版）》2024年第2期26-34,共9页Journal of Jimei University(Philosophy and Social) Sciences

摘　　要：本研究主要探讨生物艺术中的伦理思考和美学问题,包括生物艺术的概念辨析、类型分化以及在中国的发展情况。通过介绍中西方生物艺术家的创作实践,使我们反观当下生物艺术观念中对于生命本质的理解和技术伦理的思考。生物艺术的要旨是对生命过程里偶然性因素的接纳与诠释,尽管这一艺术形态还有待进一步探索与发展,但随着人工智能技术逻辑的深度渗透,这一艺术在未来能够为我们思考技术、生命和艺术之间相互缠绕的关系提供更多启示。This paper primarily explores the ethical considerations and aesthetic issues in bio art,including the conceptual analysis of bio art,its differentiation of types,and its development in China.By introducing the creative practices of bio artists from both the East and the West,we reflect on the current understanding of the essence of life and the ethical considerations of technology within the concept of bio art.The essence of bio art lies in the acceptance and interpretation of the contingency factors within the process of life.Although this art form still requires further exploration and development,with the deep penetration of artificial intelligence technology logic,this art can provide more insights into the intertwined relationship between technology,life,and art in the future.

关 键 词：生物艺术 爱德华多·卡茨 技术伦理 美学问题 

分 类 号：J60[艺术—音乐]