“自然”·“如画”的转译——析王澍设计理念  

Translation of“Natural”and“Picturesque”--Analysis of Wang Shu's Design Concept

作　　者：宗彦[1,2] 杨凱智 ZONG Yan;YANG Kaizhi(Changchun university of Architecture and Civil Engineering,Changchun 130607,China;Seokyeong University,Seoul 027028,Korea)

机构地区：[1]长春建筑学院,吉林长春130607 [2]西京大学,韩国首尔027028

出　　处：《鞋类工艺与设计》2024年第8期198-200,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：文章通过“自然”“江山如画”作为概念的延展,梳理王澍创作中“自然”这一母题,解读自然论述中的古代山水画,论证山水画艺术形式在王澍的建筑设计中从技法到概念、从材料到形式的引申与创作的转译。并对照3个建筑项目,阐述“自然”“江山如画”这一宽泛概念在设计中的转化和表达,阐释王澍的“如画”观念与“建筑如山”、循环建造的理念,引申王澍在其理论与实践中对于表象世界、精神世界的总结与思考。Through the extension of the concept of“nature”and“picturesque land”,this article sorts out the motif of“nature”in Wang Shu's creation,interprets the ancient landscape painting in the nature discussion,and demonstrates the interpretation of landscape painting in Wang Shu's art form from technique to concept,from material to form and creation in his architectural design.In contrast with the three construction projects,this paper expounds the transformation and expression of the broad concept of“nature”and“picturesque landscape”in Wang Shu's design,explains Wang Shu's concept of“picturesque”and the concept of“building like a mountain”and circular construction,and introduces Wang Shu's summary and thinking on the appearance world and the spiritual world in his theory and practice.

关 键 词：王澍 理型 理景 自然 山水画 

分 类 号：TU242.5[建筑科学—建筑设计及理论]