“仙女化”与“妖魔化”——《金瓶梅词话》与泰国《昆昌昆平唱本》女性形象比较解析  

“Female Celestial”and“Demonization”——Comparative Analysis of Female Image in The Golden Lotus and The Tale of Khun Chang Khun Phaen

作　　者：孙惠欣 吴夏天 SUN Hui-xin;WU Xia-tian

机构地区：[1]大连大学文学院,大连116622 [2]泰国艺术大学管理学院,曼谷10500

出　　处：《求是学刊》2024年第2期148-156,共9页Seeking Truth

摘　　要：《金瓶梅词话》与《昆昌昆平唱本》是中泰两国古代文学中的杰出之作,两部作品成功塑造了一系列高度真实、典型的人物形象,尤其是女性形象,包括被压抑与被束缚的贤德淑妇形象、被异化与被污名的“失节”淫妇形象和被无视与被损害的无宠小妇形象等。以类同性为立足点,采用比较文学平行研究的方法对这些女性形象进行全面细致的对比分析,对于我们更为深入地了解古代中泰两国女性的生存状态及与之相应的深层文化原因大有裨益。同时,有利于我们总结东方国家相似的文学作品所蕴含的美学价值及其文学创作规律,展示东方文学的独具魅力和丰厚意蕴,从而揭示出人类文化知识体系中的共通性及文学的独特性。The Golden Lotus and The Tale of Khun Chang Khun Phaen are outstanding works in classical Chi-nese and Thai literature.The two works have successfully created a series of highly realistic and typical char-acters,especially female images,including the image of a virtuous lady who is opposed and bound,the image of an“out of integrity”adulteress who is alienated and stigmatized,and the image of an unloved young woman who is ignored and damaged.Based on the similarity,a comprehensive and detailed comparative analysis of these female images using the method of comparative literary parallelism will be of great benefit to our deeper understanding of the state of female’s existence in the ancient Chinese and Thai countries and the correspond-ing deep-seated cultural reasons.At the same time,it is helpful for us to summarize the aesthetic value of simi-lar literary works and the rules of literary creation in Eastern countries,to demonstrate the unique charm and richness of Eastern literature,and to reveal the commonality of the human cultural knowledge system and the uniqueness of literature.

关 键 词：《金瓶梅词话》 《昆昌昆平唱本》 女性形象 类同性 比较 

分 类 号：I106-03[文学—世界文学]