语音、语义、语用:中国民歌唱词语言研究三题——以重庆城口民歌为例  

Study of Phonetics,Semantics and Pragmatics in Chinese Folk Song Lyrics:A Case Study of Chengkou Folk Songs in Chongqing

作　　者：周洁 胡晓东 Zhou Jie;Hu Xiaodong

机构地区：[1]江西师范大学音乐学院 [2]中国音乐学院“中国音乐研究基地”

出　　处：《云南艺术学院学报》2024年第1期23-32,共10页Journal of Yunnan Arts University

基　　金：2018年度江西省文化艺术科学规划项目“改革开放40年来赣鄱作曲家群体研究”(项目编号:YG2018289B)的阶段性研究成果。

摘　　要：唱词语言(方言)是探究民歌地方特质的利器,语音、语义和语用是切入音乐语言学的三大重要议题,分别从物质外壳(音响)、文化内涵与社会功用三个层面由表及里揭示了语言和音乐一卵双胞、相生相长的内在关系,建构起语言与音乐研究的理论基石。通过对重庆城口民歌语音、语义和语用三方面的深入剖析,可揭示地方语言特征对民歌音乐形态与文化内涵的深刻影响。语音是指城口方言的发音及音响特征,直接或间接作用于民歌的音乐形态,通过梳理、比较并分析城口方言语音声、韵、调方面的特征,揭示其影响并控制城口民歌形态与地方特质的重要作用;方言语义要解决语言符号在特定的语境中的含义及其对民歌唱腔的深刻影响,即一些常见语汇由于在城口这一特定的文化语境中发生语义转换而成为特殊主题被应用,在民歌唱腔中被赋予了独特的意义色彩;语用则指其在特定的文化语境中使用的某些规范和原则,对城口民歌的音乐形态与文化特征形成潜在的影响,三者共同构成城口民歌的地域文化特质,进而影响其他民间音乐品种的音乐形态与文化内涵。The language(dialect)embedded within folk song lyrics serves as a potent instrument for uncovering the unique local char-acteristics of folk songs.Phonetics,semantics,and pragmatics represent three pivotal aspects within the realm of musical language a-nalysis.This study elucidates the intrinsic relationship between language and music,demonstrating their symbiotic nature and mutual evolution,by examining the acoustic properties(sound),cultural connotations,and societal functions.Through a comprehensive in-vestigation of the phonetics,semantics,and pragmatics of Chengkou folk songs in Chongqing,this research endeavors to reveal the profound impact of local linguistic features on both the musical structure and cultural significance of folk songs.Phonetics pertains to the pronunciation and acoustic attributes of the Chengkou dialect,directly influencing the musical composition of folk songs.By me-ticulously scrutinizing and comparing the phonetic characteristics,including tone,rhyme,and pronunciation,of the Chengkou dia-lect,this study unveils the significant role in shaping and embodying the distinctiveness of Chengkou folk songs.Dialect semantics delves into the interpretation of linguistic symbols within specific cultural contexts,elucidating the profound influence on the melodic expression of folk songs.Notably,commonplace vocabulary undergoes semantic transformations within the unique cultural milieu of Chengkou,assuming specialized thematic roles within folk song melodies and imbuing them with distinctive semantic hues.Pragmatics refers to the norms and principles governing language usage within particular cultural context,exerting latent influences on musical structure and cultural characteristics of Chengkou folk songs.Collectively,these three dimensions delineate the regional cultural idio-syncrasies of Chengkou folk songs,thereby shaping the musical form and cultural essence of other forms of folk music.

关 键 词：重庆城口民歌 语音 语义 语用 

分 类 号：J607[艺术—音乐]