庐剧音调结构来源考  

On the Origin of the Tone Structure of Lu Opera

作　　者：余亚飞 Yu Yafei

机构地区：[1]星海音乐学院音乐学系

出　　处：《云南艺术学院学报》2024年第1期33-42,共10页Journal of Yunnan Arts University

基　　金：2024年度广东省哲学社会科学规划项目“近代革命题材粤曲音乐传播研究”(项目批准号:GD24CYS13)阶段性成果。

摘　　要：在“旋律音调结构——腔音列”理论研究成果的基础上,笔者试以庐剧为例,对该剧种旋律音调进行初步的来源考证。从庐剧与地方民间音乐的亲缘关系为切入点,将庐剧传统唱腔[二凉]和门歌、庐剧花腔[采茶调]与大别山山歌进行形态分析,分别从腔音列、腔句、调式等方面的音乐旋律音调结构,探究它们之间的“同源性”。并在此基础上就庐剧旋律音调特征作进一步探析,试图在这一民族民间音乐旋律音调结构研究中追本溯源。On the basis of the theoretical research results of"melodic tone structure-cavity tone column",the author tries to take Lu Opera as an example to carry out research on the origin of the melodic tone for this kind of opera.From the starting point of the kinship relationship between Lu Opera and local folk music,through comparisons of morphology in terms of the traditional singing of Lu Opera"Er Liang"and the Men Ge,Lu Opera coloratura"tea picking tone"and the Dabie Mountain Songs,the"homology"of them can be investigated from the cavity tone column,the cavity sentence,the tune and other aspects of the melodic tonal structure of music.On this basis,the melodic and tonal characteristics of Lu Opera are further analyzed so as to trace the origin of the me-lodic and tonal structure of this ethnic folk music.

关 键 词：庐剧 腔音列 旋律音调 结构 源流 

分 类 号：J617.5[艺术—音乐]