浅析“集体记忆”下中国诗画的情感投射  

Emotional Projection of Chinese Poetry and Painting under"Collective Memory"

作　　者：么知为 

机构地区：[1]中国建筑设计研究院有限公司

出　　处：《建筑与文化》2024年第5期281-283,共3页Architecture & Culture

摘　　要：中国诗画不仅承载了古人的文化传承和艺术追求,更通过运用中国传统文化作为情感投射的媒介,为现代人营造了一个能够传递情感的情境,使我们能够在“当今之境”中深刻体会“古人之意”。文章以“集体记忆”哲学、建筑学、文化地理学三个不同视角的理论研究为媒介,通过总结“闲情”观、美学观与空间观、宇宙观与自然观三个方面的中国传统文化的“集体记忆”,解析中国诗画由古至今情感投射的发生机制,为建立新的基于中国传统文化的建筑学设计类型学方法提供理论依据。Chinese poetry and painting carry the cultural heritage and artistic pursuits of the ancients,and through the emotional projection carried by traditional Chinese culture,they convey emotions for the present,so that the"meaning of the ancients"can still be experienced in the"present day".This paper takes the theoretical study of three different perspectives of"collective memory":philosophy,architecture,and cultural geography as a medium to summarize traditional Chinese culture.By summarizing the"collective memory"of Chinese traditional culture in three aspects:the"leisure"view,the aesthetic and spatial view,and the cosmic and natural view,analyze the mechanism of emotional projection in Chinese poetry and painting from ancient times to the present.This paper provides a theoretical basis for establishing a new typological approach to architectural design based on traditional Chinese culture.

关 键 词：情感投射 集体记忆 中国诗画 中国传统文化观 

分 类 号：I207.22[文学—中国文学] J212[艺术—美术] TU201[建筑科学—建筑设计及理论]