行动分析法与斯坦尼斯拉夫斯基演剧遗产  

Action Analysis Method and Legacy of Stanislavski's Acting

作　　者：李贤年[1] LI Xiannian

机构地区：[1]云南艺术学院戏剧学院

出　　处：《戏剧艺术》2024年第2期18-31,共14页Theatre Arts

摘　　要：“行动分析法”是斯坦尼斯拉夫斯基晚年演剧探索的结晶,可谓集斯坦尼斯拉夫斯基体系之大成。它出色地联系和整理了斯坦尼斯拉夫斯基各个时期的重要发现,倡导演员以“行动”为基石,以“事件”为核心,积极主动地通过“即兴小品”的形式深入分析剧本和角色,最终实现“从自我出发,进入角色”的鲜活表演状态。此法和形体行动方法虽有细节差异,但在精神实质上别无二致,其分歧由斯坦尼斯拉夫斯基体系不同的继承者言说所致。中国戏剧界有必要在接受此法的过程中重新认识斯坦尼斯拉夫斯基体系。Action Analysis Method,a crystallization of Stanislavski's late⁃life exploration of acting,can be seen as the culmination of his system.It compiles key discoveries from different periods of his career and advocates actors to take actions as the cornerstone and events as the core,actively analyzing plays and characters through sketches,ultimately achieving a lifelike performance of“from the self and into the character”.While Action Analysis Method and Body Action Method differ in details,their core spirit aligns,likely due to different interpretations of the system by their inheritors.It is necessary for the Chinese theatrical community to reevaluate the Stanislavski System in the process of accepting this method.

关 键 词：行动分析法 斯坦尼斯拉夫斯基体系 克涅别尔 形体行动方法 导表演艺术 

分 类 号：J80[艺术—戏剧戏曲]