净化·未来·现代主义:马雅可夫斯基左翼戏剧的“革命”书写  

Purification,Future and Modernism:Writing of“Revolution”in Mayakovsky's Left⁃Wing Drama

作　　者：姜训禄 JIANG Xunlu

机构地区：[1]中国石油大学(华东)外国语学院

出　　处：《戏剧艺术》2024年第2期66-75,86,共11页Theatre Arts

基　　金：国家社科基金“社会运动背景下20世纪俄罗斯左翼戏剧生成研究”(21CWW009)的阶段性成果。

摘　　要：马雅可夫斯基的戏剧创作活跃于革命年代,理念大胆前卫,但并不能被定性为单纯的“革命戏剧”或“先锋戏剧”。十月革命后的马雅可夫斯基戏剧并未完全断绝与现代主义语境的联系,是俄罗斯现代派戏剧在社会运动背景下的延续。马雅可夫斯基的左翼戏剧创作基于诗人对“革命”的个人化理解,表现为剧作的“净化”主题及对“未来”宏大图景的描绘,两者汇聚成为融合启示文学和马戏元素的马雅可夫斯基式现代主义戏剧语言。Mayakovsky's theatrical output was active during the revolutionary era,but it cannot be simply characterized as“revolutionary drama”or“avant⁃garde drama”.After the October Revolution,Mayakovsky's drama did not completely depart from its modernist context;rather,it continued the trajectory of Russian modernist drama within the framework of social movements.Mayakovsky's left⁃wing playwriting was rooted in his personal interpretation of“revolution”,which manifested in the themes of“purification”and the portrayal of a grandiose“future”.These themes converged to form the language of Mayakovsky's modernist drama,which incorporated elements of apocalyptic literature and the circus.

关 键 词：马雅可夫斯基 未来主义 左翼戏剧 先锋派 

分 类 号：J80[艺术—戏剧戏曲]