从“剧”到“场”:论戏剧审美逻辑演变的空间趋势  

From“Drama”to“Theatre”:On the Spatial Trend of the Evolution of Aesthetic Logic in Theatre

作　　者：吴婧 WU Jing

机构地区：[1]湖北大学文学院

出　　处：《戏剧艺术》2024年第2期76-86,共11页Theatre Arts

基　　金：湖北省普通高校人文社会科学重点研究基地当代文艺创作研究中心项目“当代体验消费之‘体验’研究”(23DDWY11)的阶段性成果。

摘　　要：“戏剧”与“剧场”术语之争,不仅涉及历史范畴上的戏剧的形式危机,还隐含了戏剧审美逻辑的转向问题。传统演剧体系与现代戏剧潮流的衰落,虽然是后戏剧剧场发展的重要背景,却不足以使戏剧从旧有体系走向一个几乎迥异的方向。反映式或教化式的戏剧审美体系的衰退,是戏剧继续进行形式革新的重要原因,而电视为观众提供的“本体性安全”模式则促使戏剧开始探索新的审美逻辑。于是,空间作为一种新的创作与批评范式登场,成为产生戏剧体验与建构戏剧共同体的重要方式。同时,戏剧现象日益复杂的当下需要一种更具包容性的视野,因此,戏剧的审美逻辑走向空间也是必然的趋势。The academic controversies surrounding the terms“drama”and“theatre”not only involve the formal crisis of drama as a concept within a historical category but also imply a shift in the aesthetic logic of theatre.While the decline of the traditional theatre system and the emergence of modern theatrical trends are significant backgrounds for the development of post⁃dramatic theatre,they alone are not sufficient to propel theatre into a completely different direction from the old system.The waning influence of the reflective or didactic aesthetic system of theatre is a key factor driving the continuous formal reform of theatre.Simultaneously,the“ontological security”mode of relationship provided by television for the audience urges theatre to explore a new aesthetic logic.Consequently,space has emerged as a new paradigm for theatre creation and criticism,serving as a vital means of shaping theatrical experience and fostering theatrical community.Moreover,theatre's transition from traditional aesthetic logic to spatial aesthetic logic represents an inevitable trend driven by the necessity for a more inclusive vision,as the theatrical landscape becomes increasingly complex.

关 键 词：从“剧”到“场” 戏剧危机 戏剧审美逻辑 空间范式 

分 类 号：J80[艺术—戏剧戏曲]