李健吾的话剧演剧实践与演剧思想  

Li Jianwu's Theatre Practice and Thought

作　　者：洪宏[1] HONG Hong

机构地区：[1]南京大学文学院

出　　处：《戏剧艺术》2024年第2期177-188,共12页Theatre Arts

基　　金：国家社科基金艺术学重大项目“中国话剧演剧学派研究”(20ZD21)的阶段性成果。

摘　　要：学术界重视研究李健吾的戏剧创作、文学批评、文学研究及翻译等问题,但明显忽视对于他的话剧演剧实践和演剧思想的系统考察。李健吾有着丰富的演剧实践;他的以人性呈现为基点的诗化写实演剧观,在20世纪三四十年代中国剧坛独具一格;他对话剧表演艺术特别是台词和形体动作训练的论述细致深入,带有很强的实践性;他对剧作家、导演和演员在戏剧艺术创造中的作用与地位的看法,以及对上海沦陷时期话剧演剧商业性的辩护和思考等,都有其独特之处。李健吾的演剧思想丰富了中国话剧演剧理论,具有不应忽视的研究价值和实际意义。While the academic community highly values Li Jianwu's contributions in playwriting,literary criticism,research and translation,the systematic investigation of his theatre practice and thought has been noticeably overlooked.Li Jianwu has extensive acting experience,and his poetic realistic view of acting,based on the presentation of human nature,was unique in Chinese drama circles in the 1930s and 1940s.His exposition on the art of theatre performance,especially the training of lines and body movements,is detailed and in⁃depth,with strong practical implications.Additionally,his views on the role and position of playwrights,directors and actors in the creation of theatre arts,as well as his defense and reflection on the commercialization of theatre during the Japanese occupation of Shanghai,are unique.These insights enrich Chinese theatre theory and possess undeniable research value and practical significance.

关 键 词：李健吾 话剧演剧实践 演剧思想 

分 类 号：J80[艺术—戏剧戏曲]