14世纪至16世纪中国与意大利陶瓷人物装饰比较研究——以青花瓷与马约里卡陶器为例  

A Comparative Study of Chinese and Italian Ceramic Character Decoration in the 14th to 16th Centuries-A Case Study of Blue and White Porcelain and Majolica Pottery

作　　者：史文轩 SHI Wen-xuan(College of Design and Innovation,Tongji University,Shanghai 200082,China)

机构地区：[1]同济大学设计创意学院,上海200082

出　　处：《中国陶瓷》2024年第5期82-88,101,共8页China Ceramics

摘　　要：14世纪至16世纪,中国青花瓷与意大利马约里卡陶器,由于制瓷技艺、城市建筑兴起及上层阶级品味的影响,人物装饰主题的陶瓷器物大量出现。研究为了探究中国与意大利陶瓷艺术背后的文化的差异,通过比较研究的分析方法,对比了青花瓷与马约里卡陶器三种主要人物装饰在形式、审美及社会价值维度的异同。二者的差异性在于,明代青花瓷以用笔用线的绘画方式表现人物个性,具有东方审美的意蕴,官窑青花瓷代表了精英阶层的品位,而马约里卡陶器色彩丰富,以绘画的透视法则再现人物形象,突出叙事的装饰特点,是社会道德与个人身份的象征。其相似性是二者都借鉴了文学文本与其他艺术门类题材,人物形象是艺术情感的寄托。From the 14th to the 16th centuries,there was a significant presence of ceramic objects with figure decorations in both Chinese blue-and-white porcelain and Italian majolica pottery.This was due to advancements in porcelain-making techniques,the rise of urban architecture,and the influence of upperclass taste.In order to explore the cultural differences behind Chinese and Italian ceramic art,this study compares the similarities and differences of the three main figure decorations of blue and white porcelain and Majolica pottery in terms of form,aesthetics and social value through comparative analysis method.The differences lie in the fact that Ming Dynasty blue and white porcelain was painted with pen and line to express individual personalities,reflecting an Eastern aesthetic.While the Guan kiln blue and white porcelain represents the taste of the elite class,official kiln blue-and-white porcelain represents the tastes of the elite class,while Maiolica pottery is rich in color,reproducing human figures through the rules of perspective in painting,emphasizing narrative decorative features,and symbolizing social morality and personal identity.Their similarity is that both of them draw lessons from literary texts and other artistic subjects,and the characters are the sustenance of artistic emotions.

关 键 词：青花瓷 马约里卡陶器 人物装饰 比较研究 

分 类 号：J504[艺术—艺术设计]