云南当代话剧的演出“空间”与“物造型”发展研究  

Study on the Development of the“Space”and“Object Modeling”in the Performance of Contemporary Drama in Yunnan

作　　者：吴侠[1] Wu Xia(the Department of Stage Design,The Central Academy of Drama,Beijing,100710)

机构地区：[1]中央戏剧学院舞美系,北京100710

出　　处：《民族艺术研究》2024年第2期64-75,共12页Ethnic Art Studies

基　　金：2021年度国家哲学社会科学基金艺术学一般项目“云南话剧百年”(项目批准号:21BB033)的阶段性研究成果。

摘　　要：云南当代话剧的演出“空间”与“物造型”,自有其发展状貌。随着演出“空间”的变化,创作者从一开始受演出场所的限制,只能靠“写意性”的点染和“象征性”的表现产生舞台上的“写实”效果,到走出剧场空间的“限制”和物质条件的“将就”,运用高科技的舞台技术手段表现戏剧情境流变中任何需要的时空环境和诗意幻境。云南戏剧人对都市戏剧演出空间的开发,是云南话剧演出新空间里出现的新动态,是充满了探索能力和发展活力的新动向。The“space”and“object modeling”in contemporary drama performance in Yunnan have their own characteristic development.Along with the changes of performance“space”.Creators,in the beginning,were limited by the performance space,so that they can only rely on the“realistic”effect on the stage by“pictorial”coloring and“symbolic”performance.Then,they got out of the“limitations”of the theater space and material conditions so that they used high-tech stage technology to express any time and space environment and poetic illusion which are needed in the flow of the drama situation.Yunnan theater people's development of urban theater performance space is a new dynamic in the new space of Yunnan drama performance,which is also a new trend full of exploratory ability and development vitality.

关 键 词：云南当代话剧 舞台空间 物造型 小剧场话剧 庭院戏剧 

分 类 号：J824[艺术—戏剧戏曲]