慢熟的土地:清末到民国的云南话剧文学(1913—1949年)  

Slowly Matured Land:Yunnan Drama Literature from the Late Qing Dynasty to the Republic of China(1913-1949)

作　　者：吴戈[1,2,3] Wu Ge(Yunnan Arts University,Kunming,Yunnan,650000;China Theatre Association;Yunnan Theatre Association)

机构地区：[1]云南艺术学院,云南昆明650000 [2]中国戏剧家协会 [3]云南省戏剧家协会

出　　处：《民族艺术研究》2024年第2期87-101,共15页Ethnic Art Studies

基　　金：2021年度国家社科基金艺术学一般项目“云南话剧百年”(项目批准号:21BB033)的阶段性研究成果。

摘　　要：云南话剧文学的发展起步很早,经历了从萌芽到潮起、寂寞呐喊和学步模仿再到激情怒火中的爆发几个阶段,有学生的集体创作,也有个人的苦闷绝叫,还有时代催生的民族激情,更有民主大潮中的社会呐喊。云南话剧文学创作演出的构成分为本土剧作家的本土创作演出和外来剧作家在云南的“在地”创作演出。在这一时期里,云南现代话剧文学创作蹒跚地走向初步成型,耕耘中,远远守望着姗姗来迟的成熟。The development of Yunnan drama literature started very early,and experienced several stages from the sprout to the rising tide,the lonely cry and the toddler imitation to the outbreak of passionate anger.There are collective creations by students,bitter screams of individuals,national passions spawned by the times,and also social cries in the tide of democracy.The composition of Yunnan drama literature contains local creation and performance of local playwrights and the“localized”creation and performance of outside playwrights in Yunnan.During that period of time,Yunnan's modern drama literary creation was staggering towards its initial formation,and,in the midst of cultivation,it is watching from afar for its belated maturity.

关 键 词：云南话剧文学 民国时期 时代催生 早成慢熟 

分 类 号：J824[艺术—戏剧戏曲]