桐城派晚期诗歌选本编纂与唐诗观建构——以曾国藩《十八家诗钞》为中心  

The Compilation of Selected Poems of the Late Tongcheng School and the Construction of the View on Tang poetry:A Case Study s Selected Poems of Eighteen Poets by Zeng GuoFan

作　　者：安然[1] AN Ran(School of Literature,Henan University,Kaifeng,Henan 475000)

机构地区：[1]河南大学文学院,河南开封475000

出　　处：《湖南第一师范学院学报》2024年第2期87-94,共8页Journal of Hunan First Normal University

摘　　要：桐城派晚期代表人物曾国藩所编选的《十八家诗钞》,是其诗学思想和审美标准的重要显化。此书十分重视诗歌与气韵之关系,同时善于以文论诗、以史释诗。从《十八家诗钞》的审美倾向及编选目的来看,曾国藩论诗时继承了桐城学人诗文一理、以气论诗的诗学主张,将文论引入诗论之中,同时极为推崇杜甫、韩愈这种“合乎文法”的诗歌风格,其选本所选取的诗歌也常呈现出“气盛言宜”的审美特点,这些编选特点亦能体现出曾国藩对桐城派早期及中期代表人物姚鼐、方东树等人唐诗观的继承与发展。Selected Poems of Eighteen Poets compiled by Zeng Guofan,a representative of the late Tongcheng School,is an important manifestation of his poetic thought and aesthetic standards.This book attaches great importance to the relationship between poetry and rhyme,and at the same time,it is featured by discussing poetry with literature and interpreting poetry with history.From the perspective of the aesthetic tendency of Selected Poems of Eighteen Poets and the purpose of its compilation,Zeng Guofan inherited from Tongcheng scholars the poetical ideas of“the integrated principle of poetry and essays”and“explanation of poetry with Qi”.He highly esteemed the poetic styles of“following the rule of essays”by Du Fu and Han Yu.The poems selected often exhibit the aesthetic characteristic of exuberant Qi and wonderful expression,and these features also reflect Zeng Guofan’s inheritance and development of Yao Nai’s and Fang Dongshu’s views on Tang poetry.

关 键 词：桐城派 曾国藩 诗学理论 唐诗观 

分 类 号：I209[文学—中国文学]