论王尔德童话中浪荡子精神与审美现代性  

Study on dandyism and aesthetic modernity in Wilde’s fairy tales

作　　者：江雨斯 JIANG Yusi(School of Foreign Languages,Sichuan Normal University,Chengdu 610041,China)

机构地区：[1]四川师范大学,四川省成都市610041

出　　处：《外文研究》2024年第2期55-61,108,共8页Foreign Studies

摘　　要：王尔德的童话是他文学职业生涯的正式起点,同时也反映了浪荡子精神在其文学作品中的早期形式。本文反驳了传统文学评论将王尔德的童话意义主要归结于道德性的说法,认为在童话故事里,王尔德已经开始构建与浪荡主义相关的基本原则。以文本细读为依据,以审美现代性相关理论为指导,本文细致分析了王尔德童话中的浪荡子精神,并论证,童话故事本质上构建了一个作者想象中的审美乌托邦,充分体现了艺术自律和审美救赎的特性,但同时读者需要认识到这种审美性人生观因其自身的矛盾性,在处理个人主义和社会发展关系问题上具有局限性,需要批判地接受。The canonical beginning of Wilde’s literary career is his fairy tales,which also reveal the early form of his dandyism in literary works.This essay disputes the conventional literary criti⁃cism that owes the relevance of Wilde’s writings to simple morals,arguing instead that Wilde was a pioneer in the development of fundamental creative ideas connected with dandyism.Based on attentive reading and the pertinent theories of aesthetic modernity,this essay explores the dandiacal spirit in Wilde’s fairy tales,revealing that the main purpose of the stories is to estab⁃lish Wilde’s aesthetic Utopia,which embodies art’s autonomy and aesthetic salvation.In the meantime,readers should be cognizant of the limitations imposed by the inherent conflicts of the aesthetic living attitude and accept them with a critical mind when addressing the evolving inter⁃actions between individuality and society.

关 键 词：王尔德 浪荡主义 现代性 艺术自律 审美救赎 

分 类 号：I106[文学—世界文学]