再设计中的情感化设计分析——以21世纪日常用品再设计展览为例  

Emotional Design Analysis in Redesign:Taking the 21st Century Daily Necessities Redesign Exhibition as an Example

作　　者：欧阳嘉树 田佳怡 罗明金[1] OUYANG Jiashu;TIAN Jiayi;LUO Mingjin(School of Art,Chongqing Normal University,Chongqing,401331;School of Art,Guilin University of Technology,Guilin,Guangxi,541006)

机构地区：[1]重庆师范大学美术学院,重庆401331 [2]桂林理工大学艺术学院,广西桂林541006

出　　处：《湖南包装》2024年第2期64-66,90,共4页

摘　　要：再设计关注的是日常生活用品的二次设计,原研哉提出的“将已知的事物陌生化”则是在日常生活的语境下解构设计对象,还原设计的原始问题,期望建立打破常规却不失实用的再设计观。日常生活空间作为情感宣泄的场所,为再设计提供了丰富的感性材料。文章从再设计中的情感化设计角度切入,引出再设计观中潜在的情感需求,由需求指向设计,通过遴选21世纪日常用品再设计展览中的经典案例进行分析,结合唐纳德·诺曼的本能层、行为层以及反思层的情感化设计理论,试图厘清再设计中的情感化设计链路。The focus of re-design is on the secondary design of daily necessities,while Kenya Hara's concept of"making familiar things unfamiliar"involves deconstructing design objects within the context of daily life,returning to the original problems of design,and aiming to establish a re-design perspective that breaks conventions yet remains practical.The daily living space,as a place for emotional release,provides rich sensory materials for re-design.This article approaches emotional design in re-design,uncovering potential emotional needs within the re-design perspective,and analyzing classic cases from the 21st-century daily necessities re-design exhibition.By combining Donald Norman's emotional design theory of the visceral,behavioral,and reflective levels,it attempts to clarify the emotional design pathways within re-design.

关 键 词：再设计 情感化设计 设计中的设计 日常生活 

分 类 号：TB472[一般工业技术—工业设计]