女性作者书写“大男主”古装剧中理想主义的呈现——评《琅琊榜》与《莲花楼》  

The Presentation of Idealism in Historical Drama by Female Authors Writing"Male Protagonist":Review of Lang Ya Bang and Lian Hua Lou

作　　者：刘烨 LIU Ye(Department of Creative Writing,Korea University,Sejong 30019,Korea)

机构地区：[1]高丽大学文艺创作系,韩国世宗30019

出　　处：《枣庄学院学报》2024年第3期16-22,共7页Journal of Zaozhuang University

摘　　要：近年来,“大男主”文艺作品的创作呈现出由男性作者创造、以男主角的视角展开、以男主角的戏份为重的特色。但女性作者同样也是创作“大男主”作品的重要力量。男性作者擅长以爽文模式书写男主角的成长历程,而女性作者创作的“大男主”往往以文雅的君子形象登场,“大男主”们怀揣着赤诚、纯粹的理想信念,最后大多以舍生取义的壮举完成使命,让观众既同情又敬佩。女性作者创作的《琅琊榜》与《莲花楼》①之所以让人印象深刻,重要原因便是这两部剧的男主角都是理想主义的践行者。本文将从理想主义的概念及范畴入手,从个人形象、家国情怀、人物关系三个方面分析女性作者创作的“大男主”古装剧中理想主义是如何呈现的,以及对我们创作的启示价值。In recent years,the creation of"male protagonist"artistic works has largely relied on male authors,unfolding from the perspective of the male lead character and emphasizing his significance in the narrative.However,female authors are equally significant in creating"male protagonist"works.While male authors excel in depicting the growth journey of the male lead in a straightforward manner,female-authored"male protagonists"often emerge with a refined gentlemanly demeanor,harboring sincere and pure idealistic beliefs.They typically culminate their missions with selfless acts of heroism,evoking both sympathy and admiration from the audience.Works like Lang Ya Bang and Lian Hua Lou crafted by female authors,leave a lasting impression largely due to their male protagonists embodying the ideals of idealism.This article will delve into the concept and scope of idealism,analyzing its portrayal in female-authored historical dramas featuring"male protagonist"from the perspectives of personal integrity,patriotic sentiment,and interpersonal relationships,offering insights for our own creative endeavors.

关 键 词：女性作者 “大男主” 理想主义 《琅琊榜》 《莲花楼》 

分 类 号：J974.3[艺术—电影电视艺术]