先秦龙形象中的礼制元素及其演进  

The Etiquette System Elements and Evolution of Dragon Images in the Pre Qin Period

作　　者：唐睿 TANG Rui(School of History and Culture,Qufu Normal University,Qufu 273165,China)

机构地区：[1]曲阜师范大学历史文化学院,山东曲阜273165

出　　处：《枣庄学院学报》2024年第3期95-101,共7页Journal of Zaozhuang University

基　　金：山东省社科规划研究重点项目“南朝礼律文化与文风演进研究”(项目编号:23BZWJ01)阶段性成果。

摘　　要：中华民族的龙形象来源于蛇、鳄、鱼、蜥蜴、鲵、猪、马、牛、鹿、虎、熊等多种动物,在新石器时代已成为重要的祭祀礼器纹饰。夏、商、西周时期,龙纹综合了多种原龙造型,是礼乐伦理建构的形象表征。至春秋战国,龙形象与凤、虎等形象进一步融合,呈现多元化与开放性特征,并逐步成为礼制文化的代表性符号。先秦时期,龙作为沟通人神的通天神兽,经历从原龙到夔龙再到飞龙的造型变化,象征了礼制文化从单一到多元的兼容并蓄的发展过程,蕴含着中华民族最核心的天人合一、阴阳和谐的宇宙观。The image of the Chinese dragon comes from various animals such as snakes,crocodiles,fish,lizards,salamanders,pigs,horses,cows,deer,tigers,bears,etc.It has become an important religious ritual tool in the Neolithic Age.During the Xia,Shang,and Western Zhou dynasties,the dragon pattern integrated various original dragon shapes and was a visual representation of the ethical construction of ritual and music.In the Spring and Autumn and the Warring States Period,the image of the dragon was further integrated with images such as the phoenix and tiger,presenting diversity and openness,becoming a symbolic representative of the etiquette system culture.During the pre Qin period,the dragon,as a divine beast that could communicate with heaven and earth,underwent changes in its form from the original dragon to the Kui dragon and then to the flying dragon.It condensed into a specific artistic form and cultural symbol of the etiquette system,symbolizing the development process of the etiquette system culture from singularity to diversity and inclusiveness,embodying the core cosmology of the Chinese nation,which is the unity of heaven and humanity and the harmony of yin and yang.

关 键 词：先秦时期 龙观念 形象演进 礼乐伦理 礼制文化 

分 类 号：G122[文化科学]