《呐喊·自序》与鲁迅小说的互文性——基于文学文本的细节印刻  

The Intertextuality between the Preface to Call to Arms and Lu Xun’s Novels-Based on the Details of Literary Texts

作　　者：李石 Shi Li(College of Literature,Heilongjiang University,Harbin,Heilongjiang,150006;School of International Education,Qiqihar University,Qiqihar,Heilongjiang,161006)

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150006 [2]齐齐哈尔大学国际教育学院,黑龙江齐齐哈尔161006

出　　处：《湖南大众传媒职业技术学院学报》2023年第3期38-44,共7页Journal of Hunan Mass Media Vocational and Technical College

摘　　要：基于文学文本的细节印刻,是当前现代文学研究的一种主要方式。这也是理解作品主旨大意、把握作家思想脉络、了解客观世界一种新的方式。在精心营造的文学作品中,往往存在一些相似的人物、场景、事件,以及一些意象与感觉,这无疑为读者阅读提供了一种全新的期待视野。任何文学意义的存在与产生必需依赖共生的语境和文本,而文本也只有通过参照文本,也是就我们经常提到的“元”文本才能获得对应的实际意义。鲁迅在《呐喊·自序》中对文学精神的诠释、文学内容的解读和文学价值的营造,与其之后创作的现代小说无形之中形成了一种文学性对照,而这种互文性探究无疑为我们进入鲁迅作品打开了一种全新的视角,为中国文学传统注入了新的元素。The printing of details based on literary texts is a main way of modern literature research.This is also a new way to understand the main idea of the work,grasp the writer's ideological context and understand the objective world.In carefully created literary works,there are often some similar characters,scenes,events,and some images and feelings,which undoubtedly provide readers with a brand-new horizon of expectation.The existence and production of any literary meaning must depend on the symbiotic context and text,and the text can only obtain the corresponding practical meaning by referring to the text,which is also the"meta"text we often mention.Lu Xun's interpretation of literary spirit and the creation of literary value in theprefacetoCalltoArmsform an intertextuality contrast with the modern novels created later,and this intertextuality,undoubtedly,opens a new perspective for us to enter Lu Xun's works and injects new elements into China's literary tradition.

关 键 词：互文性 文本性 《呐喊·自序》 鲁迅小说 细节复刻 

分 类 号：I210[文学—中国文学]