福州乌山摩崖景观与宋明儒学的政治文化空间  

Wushan Mountain cliff inscription landscape in Fuzhou and political-cultural space of Neo-Confucianism in the Song and Ming dynasties

作　　者：魏玄览 魏峰 WEI Xuanlan;WEI Feng(School of Chinese Painting,Central Academy of Fine Arts,Beijing 100105,China;School of Design,Fujian University of Technology,Fuzhou 350118,China)

机构地区：[1]中央美术学院中国画学院,北京100105 [2]福建理工大学设计学院,福建福州350118

出　　处：《福建理工大学学报》2024年第2期163-169,共7页JOURNAL OF FUJILAN UNIVERSITY OF TECHNOLOGY

基　　金：福建省社会科学基金项目(FJ2022BF079);福建省自然科学基金项目(2022J01940)。

摘　　要：福州乌山的摩崖石刻既是当地标志性的人文景观,也是宋明时期闽地儒士政治文化生活的物质记录。以文献梳理、铭文释读与情景分析的方法,强调儒学群体与摩崖景观发生互动的具体历史语境,从乌山摩崖景观的体验传统、景观建构的双重历史线索、摩崖景观的政治历史象征意义、乌山游赏的情感范式与文化意义这四个维度展开,指出乌山摩崖景观是一个由历代士人依托儒学政治历史观和文化价值观所塑造的、以宋明儒学传统为核心的政治文化空间。The cliff inscriptions in Wushan,Fuzhou are not only a landmark cultural landscape of the local area,but also a material record of the political and cultural life of Fujian Confucian scholars during the Song and Ming dynasties.By combining literature review,inscription interpretation,and situational analysis,this study emphasizes the specific historical context of the interaction between the Confucian community and the inscription landscape,and explores the four dimensions,including the tradition of experience of the Wushan inscription landscape;the dual historical clues of landscape construction;the political and historical symbolic significance of inscription landscape;the emotional paradigm and cultural significance of the Wushan tour.It is pointed out that the Wushan inscription landscape is a political and cultural space centered around the Neo-Confucian tradition,shaped by scholars of various dynasties based on Confucian political and historical views and cultural values.

关 键 词：福州乌山 摩崖景观 宋明儒学 政治文化 

分 类 号：J59[艺术—艺术设计]