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作 者:高超[1] GAO Chao
出 处:《东北亚外语研究》2024年第2期16-25,共10页Foreign Language Research in Northeast Asia
摘 要:川合康三、赤井益久、松本肇等当代日本汉学家对于中唐诗风新变的现象有着探赜索隐般的发现,主要体现在研究视角的新颖与独特方面:他们从中唐诗歌日常生活题材的拓展、风景象征意义的重构,以及对同时代诗人形象的塑造等方面深刻揭示了中唐诗风新变中个人化、平民化视角所带来的对平淡日常生活的礼赞,以及这种有别于盛唐宏大叙事而关注个人多样性存在的小叙事特点。川合康三认为中唐诗风新变这种文学领域个人化审美的转向,为宋代文学所接受和继承,恰好呼应了史学界内藤湖南提出的唐宋转型说。本文认为,当代日本汉学家的中唐诗研究以小见大,揭示了中唐诗歌在中国文学史和文化史上的特殊意义,而且在中日诗歌比较研究学术交流史上写下了浓墨重彩的一笔。Contemporary Japanese sinologists such as Kawai Yasuzo,Akai Masihashi and Matsumoto Hajime have made discoveries about the phenomenon of new changes in the poetic style of mid-Tang poetry,which is mainly reflected in the novelty and uniqueness of their research perspectives:the expansion of the daily life themes in the poems of the midTang Dynasty,the reconstruction of the symbolic meaning of landscapes,and the shaping of the images of contemporary poets.Through all of them,it deeply reveals the praise to the ordinary daily life brought by the personalized and popular perspective in the new style of poetry in the mid-Tang Dynasty,and the characteristics of this small narrative paying attention to the existence of personal diversity that is different from the grand narrative of the prosperous Tang Dynasty.Kawai Yasuzo believes that the new style of poetry in the mid-Tang Dynasty,the turn of personalized aesthetic in the literary field,was accepted and inherited by the Song Dynasty literature,which just echoes the theory of the transformation of Tang and Song Dynasty put forward by Naito Hunan in the historian circle.This paper holds that the contemporary Japanese sinologists' study of the mid-Tang Dynasty poetry has revealed the special significance of the mid-Tang Dynasty poetry in the history of Chinese literature and culture,and also has important significance in the academic exchange history of the comparative study of Chinese and Japanese poetry.
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