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作 者:冯小禄[1] 张欢[1] Feng Xiaolu;Zhang Huan
机构地区:[1]云南师范大学文学院
出 处:《四川师范大学学报(社会科学版)》2024年第3期159-167,207,共10页Journal of Sichuan Normal University(Social Sciences Edition)
基 金:国家社科基金一般项目“文化身份与文学权力视阈下的明代台阁文学研究”(18BZW057);云南省“兴滇英才支持计划”之文化名家专项的研究成果。
摘 要:李东阳是明代弘治、正德之际一位颇具心术和文术的台阁重臣,其文学盟主之路与官位上升同步。其盟主地位的确立以入阁预机务为标志,然此前亦有较长的苦闷守望期。延承“文归台阁”的制度优势,李东阳不仅写作独属于翰林和阁臣的工作文体,还广泛写作一般官员和士人的通用文体。而耽溺诗歌创作与唱酬的癖好,又让李东阳突破了一般台阁作家的“馀力为文”意识,标志着文坛领袖由政教重臣型向“风流儒雅”型转换。其文学盟主术主要是自觉而强烈的盟主“代兴”意识、宽博而有格调的文学写作观念和多样有效的文人联盟手段。这对确认台阁体、茶陵派的“半自觉”性质和台阁文学的制度背景、身份意识等有推动作用。Li Dongyang was a highly acclaimed court official during the Hongzhi and Zhengde periods of the Ming dynasty, renowned for his literary talent and political acumen. His path to becoming a literary leader was closely intertwined with his advancement in official positions. The establishment of his leadership position marked his entry into the court and commencement of handling official duties. However, prior to this, he experienced a considerable period of obscurity. Leveraging the institutional advantage of “literature returning to the court”, Li Dongyang not only produced official literary works specific to the Hanlin Academy and court officials but also extensively engaged in literary styles commonly used by general officials and scholars. His penchant for indulging in poetry creation and poetic exchanges enabled him to surpass the typical limitations of court writers, marking a transition in literary leadership from the model of political and educational officials to that of “elegant and refined scholars”. His position as a literary leader was primarily built on a conscious and strong sense of leading literary rejuvenation, a broad and sophisticated conception of literary writing, and diverse and effective means of forming literary alliances. This process played a role in confirming the semi-conscious nature of the court style and the Chaling School, as well as the institutional background and identity consciousness of court literature.
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