杜甫题画诗的自我观照  

Self-Reflection on Du Fu's Poetry with Paintings

作　　者：郑静静 ZHENG Jing-jing(Anhui University,Hefei 230031,China)

机构地区：[1]安徽大学,合肥230031

出　　处：《齐齐哈尔高等师范专科学校学报》2024年第2期43-48,共6页Journal of Qiqihar Teachers College

摘　　要：题画诗至杜甫开始才大量创作,对后世产生了重大影响。杜甫的题画诗不仅仅是对画面内容的再现,还体现了诗人积极入世的热情、壮志难酬的感伤以及因现实不遇产生的归隐之意。通过描绘画面,诗人也在描绘自己心中的图景,即借图画之酒杯浇自己心中之块垒。通过对题画马诗的写作时间及地点的考察,发现偏向瘦硬传神是杜甫一贯的审美标准。Painting poems were not extensively created until Du Fu began,and Du Fu's painting poems had a significant impact on later generations.Many scholars have not provided an exact number of poems on Du Fu's paintings,and there are different opinions on the exact number.Based on previous research,this article has drawn a conclusion of 21 poems after careful analysis.Du Fu's painting poems not only reproduce the content of the paintings,but also reflect the poet's enthusiasm for actively entering the world,the sadness of being ambitious and difficult to repay,and the intention of seclusion caused by the unexpected reality.By depicting the images,the poet is also depicting the scene in his own heart,that is,pouring the blocks in his heart from the wine glass of the pictures.Through the investigation of the writing time and location of Ma Shi in the painting,it was found that Du Fu's consistent aesthetic standard was a tendency towards being thin,hard,and vivid.

关 键 词：杜甫 题画诗 自我观照 

分 类 号：I206[文学—中国文学]