探究潜意识记忆的抵抗机制——村上春树《世界尽头与冷酷仙境》和《海边的卡夫卡》的森林意象分析  

Exploring the Resistance Mechanisms of Subconscious Memory:Analysis of Forest Imagery in Haruki Murakami's The End of the World and Cold Wonderland and Kafka on the Shore

作　　者：关冰冰[1] 杨炳菁[2] GUAN Bing-bing;YANG Bing-jing(Faculty of Asian Languagees and Cultures,Zhejiang International Studies University,Hangzhou,310023,China;Japanese School,Beijing Foreign Studies University,Beijing,100089,China)

机构地区：[1]浙江外国语学院东方语言文化学院,浙江杭州310023 [2]北京外国语大学日语学院,北京100089

出　　处：《福建江夏学院学报》2024年第2期89-98,共10页Journal of Fujian Jiangxia University

摘　　要：森林是村上春树小说中经常出现的事物。在小说中,森林既是本色森林,也是村上小说中一种非常重要的意象。村上春树的《世界尽头与冷酷仙境》和《海边的卡夫卡》这两部小说不仅存在着精神上的内在关联,而且森林也都作为一种意象出现在小说中并承担了重要作用。两部小说中森林是主人公自身的一部分,所表现出的种种危险都是一种假象,象征的是阻挡人们探究被压制在潜意识中记忆的抵抗机制。The forest is something that appears frequently in Haruki Murakami's novels.As well as being used as a setting,the forest is a very important image in Murakami's novels.Haruki Murakami's novels,TheEndof theWorldandColdWonderland and KafkaontheShore,are not only spiritually related,but the forest also appears in the novels as a kind of imagery and plays an important role.In both novels,the forest is a part of the protagonist's own self,and all the dangers shown are an illusion,symbolized by the resistance mechanism that prevents people from exploring memories that have been suppressed in the subconscious.

关 键 词：村上春树 森林意象 抵抗机制 《世界尽头与冷酷仙境》 《海边的卡夫卡》 

分 类 号：I106.4[文学—世界文学]