数字衣橱与身体解放——探讨后人类主义下数字时尚艺术的角色  

Digital wardrobe and body liberation: exploring the role of digital fashion artunder post humanism

作　　者：崔岩[1] 王璇 Cui Yan;Wang Xuan(Hubei Institute of Fine Arts,Wuhan 430205,China)

机构地区：[1]湖北美术学院,湖北武汉430205

出　　处：《纺织报告》2024年第4期134-136,共3页

摘　　要：在一个逐渐由数字构建的世界里,时尚正经历一场革命—一场超越物理界限、触及人类深层自我认知与表达方式的革命。文章深入探索了如何通过后人类主义的镜头,将数字时尚艺术视为一种身体和精神的解放工具。在元宇宙背景下,人们将数字衣橱视为超越物理限制的自我表达工具,让个体在虚拟世界中探索多元身份,并分析相关案例,揭示这些数字创造如何推动个体探索和表达自我,同时也触及伦理文化的挑战,旨在为数字时代下的自我和社会互动提供新视角,鼓励对时尚、技术与身份的深入思考。In a world gradually constructed by numbers,fashion is undergoing a revolution:a revolution that transcends physical boundaries and touches upon the deep self-awareness and expression of humanity.This paper delves into how to view digital fashion art as a tool for physical and spiritual liberation through the lens of post humanism.In the context of the metaverse,people view digital wardrobes as self-expression tools that transcend physical limitations,allowing individuals to explore diverse identities in the virtual world,and analyzing relevant cases to reveal how these digital creations drive individual exploration and self-expression.At the same time,they also touch on ethical and cultural challenges,aiming to provide new perspectives for self and social interaction in the digital age,encouraging in-depth thinking about fashion,technology and identity.

关 键 词：数字时尚 后人类主义 身体解放 元宇宙 身份表达 伦理挑战 虚拟自我 文化影响 

分 类 号：J523.5[艺术—艺术设计]