论明代辨体类总集对《文章正宗》四部文体分类法的继承与创新——以《文章辨体》《文体明辩》《文章辨体汇选》三书为中心  

On the Inheritance and Innovation of the Ming Dynasty's Comprehensive Works on Distinguishing Styles in Relation to the Four-part Literary Classification of Authentic Article-A Study Focused on Distinguishing Styles of Writing,Clear Distinction of Literary Styles,and Selected Works on Distinguishing Styles of Writing

作　　者：肖锋[1] 费风铃 XIAO Feng;FEI Feng-ling(School of Humanities,Communication University of China,Beijing,100024,China)

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《西华大学学报（哲学社会科学版）》2024年第3期84-92,共9页Journal of Xihua University(Philosophy & Social Sciences)

基　　金：国家社会科学基金项目“贺复征《文章辨体汇选》研究”(项目编号:21BZW054)。

摘　　要：过去对《文章正宗》四部文体分类法的影响研究主要集中在储欣、姚鼐、吴曾祺、李兆洛、曾国藩等编选的以“归类”为旨归的总集上,以突出其在文体分类上执简驭繁的功效。《文章辨体》等辨体类总集尽管在传统的文体分类上采取的是“每体自为一类”的方式,然细考其文类编排仍可见真氏四部分类之流风。将明代辨体类总集与此四部分类法结合起来考察有助于识别文类内涵的变迁,对客观评估真氏四部分类法乃至建构古代文章学的分类方式亦有所裨益。Historically,research on the influence of the four-part stylistic classification of Authentic Articles primarily focused on collections used by scholars like Chu Xin,Yao Nai,Wu Zengqi,Li Zhaoluo,and Zeng Guofan.These collections emphasized the im-portance of maintaining simplicity while managing complexity in stylistic classification.Works such as Distinguishing Styles of Writ-ing although adhering to the traditional method of distinct categories for each style,reveal a trend towards the author Zhen Dexiu's four-part classification upon closer examination of their genre arrangements.Integrating this classification with the Ming Dynasty's compre-objectively assessing Zhen Dexiu's classification and potentially developing a method for classifying ancient prose.

关 键 词：《文章正宗》 四部分类 《文章辨体》 《文体明辩》 《文章辨体汇选》 

分 类 号：I207[文学—中国文学]