青主音乐美学思想的现实主义表现及特征  

Realistic Expression and Characteristics of Qingzhu's Music Aesthetics

作　　者：罗霁月 LUO Qiyue(Zhejiang Open University,Hangzhou,Zhejiang,310012,China)

机构地区：[1]浙江开放大学,浙江杭州310012

出　　处：《浙江树人学院学报》2024年第2期86-92,共7页Journal of Zhejiang Shuren University

摘　　要：现实主义既是一种创作方法,又是一种文艺思潮。青主把音乐看作为一种解除人生苦难、调剂人生的最高文化使命。青主音乐美学思想的两大思想理论来源是表现主义经典著作及其对音乐艺术的独特认知。青主音乐美学思想的现实主义表现在主题内容的现实性、表现形式的古典性、创作因素的天才性、唱奏艺人的条件性,特征体现在突出音乐创作的“艺术真”、凸显音乐效用的现实指向、注重音乐要素的形神兼备、强调音乐作品的属人性。青主从变革社会、道德完善、实现人性复归上论述音乐的特殊规律及其重要社会意义,是近代中国音乐革新史上一次巨大的进步。Realism is not only a creative method but also an artistic trend.Qingzhu regards music as the highest cultural mission to relieve the hardship of modern life and to comfort life.The two main ideological and theoretical sources of Qingzhu's music aesthetics are the classical works of expressionism and his unique cognition of music art.Its characteristics are manifested in the reality of the theme content,the classical form of expression,the genius of creative factors,and the conditionality of singing and playing artists.It is a great progress in the history of modern Chinese music innovation to discuss the special law of music and its great social significance from the perspectives of social reform,moral perfection and human nature restoration.

关 键 词：青主 音乐美学 现实主义 艺术创作 

分 类 号：I20[文学—中国文学]