民间剪纸创作中的女性体验  

Women's Experience in Folk Paper-Cutting

作　　者：于翔 隋丽[1] Yu Xiang;Sui Li

机构地区：[1]辽宁大学文学院

出　　处：《艺术与民俗》2024年第1期76-80,共5页Journal of Arts and Folklore

摘　　要：民间剪纸是中国文化的重要载体和组成部分,将心理学与民间艺术相结合,从“心流”角度阐释剪纸以及女性创作者的心理体验,对女性剪纸群体的心理状态进行分析,是民间剪纸研究中值得深入的研究方向。在对当代女性剪纸艺人的个案调查和深度分析中可以发现,剪纸不仅是一种民间艺术形式,也是女性对抗苦难的武器和自娱自乐的手段。非遗项目的开展使女性获得了文化上的关注与尊重,许多女性自觉投入到剪纸创作中,为剪纸的传承与发展贡献力量。Folk paper-cutting is an important carrier and component of Chinese culture, and women, as major creative subjects of this art, have a natural connection with it. Few scholars in China have focused on the psychological aspects of folk art and the artists themselves from a psychological perspective. This paper attempts to explain the act of paper-cutting and the psychological experience of folk women from the standpoint of “mind flow” and to analyze the psychological state of women in paper-cutting groups. Through an investigation and study of contemporary female papercutting artists, this paper argues that paper-cutting is not only a form of folk art but also a weapon for women to combat adversity and a means of selfentertainment. The implementation of intangible cultural heritage projects has brought attention and respect to female artists. Many women actively create paper-cutting works, contributing to preserving and developing this traditional art form. Today, paper-cutting has become a crucial avenue for women's self-care, participation in public affairs, and integration into public life.

关 键 词：民间剪纸 女性 心流体验 

分 类 号：K890[历史地理—民俗学]