克洛卜施托克《春之祭》中的雷雨书写与启蒙时期的人文精神  

The Depiction of"Thunderstorm"and the Humanistic Spirt in Klopstock's"Fruhlingsfeier"

作　　者：徐旖 Yi Xu(School of Foreign Languages,Peking University,Beijing,China)

机构地区：[1]北京大学外国语学院,北京100871

出　　处：《外国语言与文化》2024年第1期56-68,共13页Foreign Languages and Cultures

摘　　要：1752年,富兰克林成功发明避雷针,标志着人类认识自然和改造自然能力的重大突破,人类从此摆脱雷雨带来的恐惧和不安,并开始为这一天气现象赋予积极的审美价值。德国启蒙诗人克洛卜施托克的重要代表诗作《春之祭》作为自由韵律体赞诗,以雷雨为主题,成文于这一科技史事件后不久。该诗是德语文学史上首次从审美角度对雷雨的正面描写,因其从内容到形式的革新而具有划时代影响。本文从该诗雷雨主题的塑造方式出发,探讨克氏融合启蒙时期人文精神的“表现”诗学,以此管窥这一时期诗歌中人类诗学观、自然观、宗教观的范式变换。In 1752,Benjamin Franklin successfully invented the lightning rod,which marked a significant milestone in man's comprehension and manipulation of nature.From that point,man liberated himself from the fear and anxiety caused by"thunderstorms",and began to set positive aesthetic value to this weather phenomenon.Following this breakthrough of the history of technology,the German Enlightenment poet Friedrich Gottlieb Klopstock composed the free-rhythm hymn"Fruhlingsfeier"with the theme of"thunderstorm"which served as an emblematic work in his oeuvre.This poem,with its pioneering technique from content to form,constitutes the initial affirmative aesthetic portrayal of the"thunderstorm"in the history of German literature with profound impact.The present study initiates an exploration of Klopstock's approach to shaping the theme of"thunderstorm"in his poetry.It delves into Klopstock's integration of the humanistic notion of the Enlightenment era inyo his poetic framework of"representation"Through this investigation,the paper seeks to unveil paradigm shifts in the conceptions of human poetics,nature,and religion within the literary poetry of this epoch.

关 键 词：弗里德里希·戈特利布·克洛卜施托克 《春之祭》 雷雨 避雷针 自由韵律体 人文精神 

分 类 号：I565[文学—其他各国文学]