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作 者:周维东 Zhou Weidong
机构地区:[1]四川大学文学与新闻学院 [2]四川大学俗文化研究所,四川成都610065
出 处:《江西社会科学》2024年第3期172-182,208,共12页Jiangxi Social Sciences
基 金:国家社会科学基金一般项目“延安时期重要文艺术语的当代意义流变研究”(22BZW139);四川省社会科学规划重点项目“延安文艺核心术语阐释史研究”(SC22A018)。
摘 要:在不同的空间格局中,学者对“延安文艺”内在特征和规律的理解也有所不同,进而形成不同的研究问题和范式。延安文艺是抗日战争(全面抗战)、解放战争时期中国共产党领导下革命根据地内的文艺,也是抗日民族统一战线下战时中国的文艺,还是世界反法西斯斗争及战后“冷战”格局下具有“世界面相”的文艺。延安文艺的“世界面相”,主要体现为国际传播格局的形成。与此前的左翼文艺相比,延安文艺不仅有对于世界进步文艺的“输入”,更形成了向外“输出”的意识和渠道。国际传播意识和格局,推动了革命文艺写作范式的转变,《红军长征记》出现的创作转变便是典型案例;也是延安文艺座谈会后文艺新特征形成的潜在背景,通过多个版本的鲁艺木刻选集比较,可以看到《讲话》之后“新艺术”背后的世界因素;还影响到延安文艺进入当代之后的自我形塑,斯大林文艺奖对解放区作家的选择,反映出新中国外交战略对文艺发展的影响。延安文艺的“世界面相”,催生了“域外延安文学”相关问题研究的紧迫性。In different spatial patterns,scholars have different understandings of the intrinsic characteristics and regularity of “Yan'an literature and art”,and then lead to different research questions and paradigms.“Yan'an literature and art” refers to the literary and artistic works produced in the revolutionary base areas under the leadership of the Communist Party of China during the War of Resistance Against Japan(the Comprehensive War of Resistance Against Japan) and the War of Liberation,as well as the literature during wartime under the national united front against Japan,embodying a “world dimension” within the context of the worldwide anti-fascist struggle and the post-war "Cold War" era.The “world dimension” of Yan'an Literature primarily manifests in the formation of an international communication pattern.In contrast to previous leftist literature,Yan'an Literature not only absorbed influences from progressive world literature but also developed awareness and channels for outward dissemination.The consciousness and pattern of international communication have promoted the transformation of the paradigm of revolutionary literary and artistic writing,and the creation transformation of the Long March of the Red Army is a typical case.It is also the potential background for the formation of new characteristics of literature and art after the Yan'an Forum on Literature and Art.Through the comparison of multiple editions of Luyi woodcut anthologies,we can see the world factors behind the “new art” after “Speech”,which also affected the self-shaping of “Yan'an literature and art” after enter the contemporary era;The choice of writers in liberated areas for Stalin Prize for Literature and Art reflects the influence of New China's diplomatic strategy on the development of literature and art.The “world dimension” of Yan 'an literature and art has spurred the urgency of studying issues related to “ Overseas Yan'an Studies”.
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