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作 者:王霖[1] 王蓉 WANG Lin;WANG Rong(School ofFine Arts,Anhui Normal University,Wuhu Anhui 241002,China;Cuihu Primary School,Tongling Anhui 244061,China)
机构地区:[1]安徽师范大学美术学院,安徽芜湖241002 [2]铜陵市翠湖小学,安徽铜陵244061
出 处:《铜陵学院学报》2024年第2期79-83,共5页Journal of Tongling University
基 金:安徽省哲学社科规划一般项目“徽州民居集约化设计在环境设计中的应用研究”(AHSKY2022D203)。
摘 要:徽派古民居在中国传统建筑中占有重要地位,在其成型过程中受到徽州地理和文化影响,展现出独特的区域特色,在其造型、功能、装饰等诸多方面也自成一格,呈现出“天人合一”的协调美、“道法自然”的和谐美以及“古朴典雅”的整体美的生态美学特征。现代建筑设计可遵循特色地域文化与传统建造技术相融合、传统建筑文化与社会经济环境相适应、建筑空间形式与功能适用性相统一的原则,探索因地制宜,构建以“和”为美的地形界面;秩序井然,构建以“序”为美的空间界面;情景合一,构建以“情”为美的人文界面,做到古为今用的同时,彰显徽州古民居生态美学的科学构成、地域特色和价值理念。The Huizhou style dwellings occupies an important position in the Chinese traditional architecture.In its forming process,influenced by Huizhou geography and culture,they show unique regional characteristics,and have their unique style in shape,function,decoration and so on,presenting the ecological aesthetic characteristics of the coordinating beauty of"harmony between nature and man",the harmonious beauty of"natural Taoism"and the overall beauty of "follow nature's course".By following the principles of integrating characteristic regional culture and traditional construction technology,adapting traditional architectural culture to social and economic environment,and uniting architectural space form and functional applicability,modern architectural design can explore the construction of the terrain interface with"harmony"as the beauty in the adaptation to local conditions,the space interface with"order"as the beauty in order,and the humanistic interface with"emotion"as the beauty in the integration of scenes and emotions,so as to achieve the use of the past for the present,and highlight the features of the scientific composition,regional characteristics and value concept of the ecological aesthetics of Huizhou ancient dwellings.
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