王建民《第四二胡狂想曲》:手稿研究与音乐创作分析  

Analysis of Manuscripts of The Fourth Erhu by Rhapsody Wang Jian-min

作　　者：袁圆 YUAN Yuan(School of Music,Anhui University of Arts,Hefei Anhui 230011,China)

机构地区：[1]安徽艺术学院音乐学院,安徽合肥245041

出　　处：《铜陵学院学报》2024年第2期88-92,106,共6页Journal of Tongling University

基　　金：安徽省哲学社会科学重点项目“安徽民歌音乐形态特征在当代音乐创作中的应用”(2022AH052015);安徽艺术学院校级教育教学改革重点项目“专业艺术院校音乐类专业和声课程与作品分析课程衔接体系的构建与研究”(2023xjjyzd03)。

摘　　要：《第四二胡狂想曲》由作曲家王建民创作于2009年,作曲家在西北民歌旋法特征基础上,将二胡艺术与技法相融合,突出了西域文化风格特色,堪称当代二胡创作中的典范。其手稿记载了艺术家的创作思路历程,是音乐理论研究中极其珍贵且更具权威性的资料。文章将通过对比分析《第四二胡狂想曲》的两份手稿及最终定稿,从旋律修改、音符增减、句伴奏织体变化、节拍组合、段落结构等五个方面分析作曲家的创作思维动态,并总结其创作技法特征。The Fourth Erhu Rhapsody was written by composer Wang Jianmin in 2009.The composer combines Erhu art and techniques based on the melodic features of the Xibei folk song,which represents the cultural style of the western regions,is a model of contemporary Erhu creation.The manuscript records the creative thought process of the artist,and is extremely precious and more authoritative material in the research of music theory.This paper compares and analyzes the two manuscripts of the Fourth Erhu Rhapsody and the final draft to analyze the composer's creative thinking from five aspects:melody Modification,note addition and subtraction,sentence accompaniment texture change,rhythm combination,paragraph structure and so on.

关 键 词：王建民 第四二胡狂想曲 手稿 音乐分析 

分 类 号：J614.3[艺术—音乐]