古典原型的现代性改造——张扬小说《第二次握手》中的原型主题探析  

The Modernity Transformation of Classical Prototypes——Analysis of the Archetypal Theme in Zhang Yang’s Novel The Second Handshake

作　　者：黄荣 Huang Rong(Hunan University of Science and Technology,Xiangtan,411100,China)

机构地区：[1]湖南科技大学,湘潭411100

出　　处：《语言与文化研究》2024年第4期179-182,共4页Language and Culture Research

摘　　要：《第二次握手》作为一部上世纪带来广泛影响,至今仍有重要价值的小说,其所蕴含的原型模式是其价值的重要方面。识别并分析作品当中的原型,可以得出某一时代与民族心目当中的原型模式,为作品的价值研究提供新的角度。随着故事情节的展开,小说中围绕着丁洁琼和叶玉菡两位女性角色的叙事线索,分别呈现出“英雄救美”“母亲情结”“双重女主人公”这三种原型模式。同时,三者在逻辑上相互联系,并伴随着一定的现代性改造,共同构成了小说独具特色的关系结构。The Second Handshake,as a novel that brought widespread influence in the last century and still has significant influence today,contains a prototype pattern that is an important aspect of its value.Identifying and analyzing the prototypes in the work can reveal the prototype patterns in the minds of a certain era and nation,providing a new perspective for the study of the value of the work.As the plot unfolds,the novel revolves around the narrative clues of the two female characters Ding Jieqiong and Ye Yuhan,presenting three prototype models:“hero saving beauty”,“mother complex”,and“dual female protagonist”.At the same time,the three are logically interconnected and accompanied by a certain degree of modernity transformation,forming a unique relationship structure in the novel.

关 键 词：张扬 《第二次握手》 原型批评 现代性 

分 类 号：I20[文学—中国文学]