当代文学三次文化“祛魅”背后的媒介逻辑  

The Media Logic Behind the Three Cultural“Disenchantments”in Contemporary Literature

作　　者：刘超男 Liu Chaonan(School of Humanities,Hunan University of Science and Technology,Xiangtan,411100,China)

机构地区：[1]湖南科技大学人文学院,湘潭411100

出　　处：《语言与文化研究》2024年第4期204-207,共4页Language and Culture Research

摘　　要：新时代以来当代文学总体经历了三次文化祛魅。自20世纪80年代后,科学技术的迅猛进步使媒介日新月异,而媒介的不断变迁又对文学表现出深刻的影响(杨博,2019)。80年代报纸与文学期刊作为清晰度低,参与度高的冷媒介推动着文化的“祛魅”与“赋魅”。90年代电子热媒介的发展迅速,直接促使大众文化的兴起,从而扩大了文学的生产域,并让精英文学逐渐被“祛魅”。到了21世纪,代表网络二代的新新媒介兴盛,作家身份被颠覆,文学丧失灵韵,这一次“祛魅”却让文学在媒介生态环境中面临挑战。所以媒介作为文学的载体的同时,也塑造着文学的特征。Literature and the media are inextricably linked.Every literary“demystification”is closely related to the development of the media.As a carrier of literature and art,the medium also conveys a deeper meaning as a“message”.Since the 1980s,the rapid progress of science and technology has led to rapid changes in the media.The continuous changes in the media have shown a profound impact on literature.The rapid development of electronic hot media in the 1990s directly promoted the rise of popular culture,thereby expanding the production field of literature and gradually disenchantling elite literature.In the 21st century,with the rise of new media representing the second generation of the internet,the identity of writers has been overturned,and literature has lost its charm.However,this“disenchantment”has challenged literature in the media ecosystem.So,as a carrier of literature,media also shapes the characteristics of literature.

关 键 词：文化“祛魅” 媒介 纸质媒介 电子媒介 新媒介 

分 类 号：I20[文学—中国文学]