敦煌莫高窟第61窟空间形式探究  

The Space Form of Cave 61 of Mogao Grottoes of Dunhuang

作　　者：刘高阳 LIU Gao-yang(College of Fine Arts and Design,Suzhou University,Suzhou 234000,Anhui,China)

机构地区：[1]宿州学院美术与设计学院,安徽宿州234000

出　　处：《红河学院学报》2024年第3期47-50,92,共5页Journal of Honghe University

基　　金：安徽省哲学社会科学规划项目:清代安徽书院书法人才培养研究(AHSKQ2020D168)。

摘　　要：文章从莫高窟第61窟石窟空间的构成入手,通过图像比较、归类总结、猜想论证的研究方法,分析石窟的选址与外部环境、石窟内部空间的组成元素以及石窟空间构建的形式美感。文章认为第61窟空间形式的形成因素,主要是中国传统文化与佛学文化的共同影响、政权统治者的政治与宗教意愿、开窟人营建石窟的约束等,同时认为“人、佛、山”自然和谐的空间是第61窟的空间设计的重要原则。Starting from the composition of the 61st grotto space in the Mogao Grottoes,this study analyzes the site selection and external environment of the grottoes,the composition elements of the interior space of the grottoes,and the aesthetic form of the grotto space construction through research methods such as image comparison,classification summary,and conjecture demonstration.The formation factors of the spatial form of Cave 61 were discussed,mainly including the joint influence of traditional Chinese culture and Buddhist culture,the political and religious will of political rulers,and the constraints on the construction of grottoes by cave builders.Exploring the concept of a natural and harmonious space between humans,Buddha,and mountains is an important principle in the spatial design of Cave 61.

关 键 词：敦煌莫高窟 空间艺术 构成设计 

分 类 号：TU252[建筑科学—建筑设计及理论]