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作 者:冯文华[1] FENG Wenhua
出 处:《浙江艺术职业学院学报》2024年第1期98-103,共6页Journal of Zhejiang Vocational Academy of Art
基 金:2024年度浙江省哲学社会规划课题“宋代绘画中的社日民俗及其当代价值研究”(项目编号:24NDJC279YBM);2022年度浙江省社科联研究课题“南宋文化消费研究及其当代启示”(项目编号:2022B45)的阶段性研究成果。
摘 要:宋代人物风俗画《柳荫群盲图轴》的画题存在群盲打架和政治讽喻等多种解读。基于画面中活动场景、人物及其所配器具等细节分析与考证,结合宋代社日诗歌和史料,图文互勘,笔者认为《柳荫群盲图轴》是一幅描绘社日活动的叙事性绘画,不仅体现了宋代乡村形式多样的社日民俗,而且表达了画家对农村社会发展的隐忧,兼具教化与劝谏的政治意蕴。The topic of the painting in Song Dynasty Group of Blind People in the Shade of Willows can be interpreted in various ways,such as portraying blind individuals involved in combat and serving as a form of political satire.The text and image are cross-referenced by analyzing and verifying the active scenes,characters,and accompanying objects in the painting,in conjunction with Sheri folklore poetry and historical materials from Song Dynasty.The painting Group of Blind People in the Shade of Willows is thought to portray Sheri folkloric activities.The painting not only depicts the varied rural customs of the Song Dynasty but also conveys the artist’s concerns about rural social progress,encompassing political implications associated with education and admonition.
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