江南丝竹音乐在杭州的历史与发展——与沈凤泉老师一席谈  

History and Development of Jiangnan String and Bamboo Music in Hangzhou--A Conversation with Shen Fengquan

作　　者：梁伟 沈凤泉 LIANG Wei;SHEN Fengquan

机构地区：[1]浙江音乐学院国乐系,杭州310024 [2]不详

出　　处：《浙江艺术职业学院学报》2024年第1期136-142,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：浙江省“十四五”研究生教育改革项目“音乐院校中的‘江南丝竹’传承教学研究”成果之一。

摘　　要：江南丝竹音乐盛行于环太湖区域,其在杭州的历史与浙派古筝的代表人物王巽之密切相关。新中国成立后,上海市浦东地区音乐世家“沈氏家族”传人沈凤泉来杭州工作,在与长期合作伙伴宋景濂等浙江籍丝竹演奏家的艺术实践活动中形成江南丝竹音乐在当代杭州的主要发展脉络。江南丝竹音乐在杭州的发展有其特点,在流传过程中也存在一些疑点。沈凤泉作为国家级非物质文化遗产“江南丝竹”代表性传人,对这些问题都有较为长期、深入的思考,并对江南丝竹音乐在杭州的未来发展提出建议。The prevalence of Jiangnan string and bamboo music in the area surrounding Taihu Lake is closely related to the history of Hangzhou and the representative figure of the Zhe School Guzheng,Wang Xunzhi.After the founding of the People’s Republic of China,Shen Fengquan,a descendant of the renowned“Shen Family”of musicians in Pudong,Shanghai,came to work in Hangzhou.Through his long-term collaboration with partners such as Song Jinglian,a string and bamboo musician from Zhejiang,the development of contemporary Jiangnan string and bamboo music in Hangzhou has taken shape.The development of Jiangnan string and bamboo music in Hangzhou has its unique characteristics and some unresolved issues in its transmission.Shen Fengquan,as a national representative inheritor of the intangible cultural heritage“Jiangnan string and bamboo music,”has devoted considerable time and thought to these issues.Furthermore,he has put forward personal recommendations for the future development of Jiangnan string and bamboo music in Hangzhou.

关 键 词：江南丝竹音乐 沈凤泉 风格 流派 

分 类 号：J632[艺术—音乐]