音画流转烟雨繁花——民族管弦音画《听见江南》的视像表达  

Harmonious Soundscapes and Lyrical Visuals--The Visual Expression of the Ethnic Orchestral Artwork Listening to Jiangnan

作　　者：包峥剡 BAO Zhengshan

机构地区：[1]浙江艺术职业学院,杭州310053

出　　处：《浙江艺术职业学院学报》2024年第1期143-148,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要：近些年来,中国民族音乐的演出样式已经从音乐厅演奏的单一模式转变为更多样的舞台表达方式。“视觉包装”已经成为国乐专场演出策划者和导演们关注的重要元素,无论是演奏员的服饰造型还是舞台美术都有了丰富多彩的样式,甚至有的民乐演出有了“戏剧”情节的导入,让国乐专场表演既是一场音乐会,又是一场具有中华传统文化元素的综合性表演。多种艺术样式的融入,让国乐表演更丰富、更具有跨界融合的意味。这是时代发展对传统演出需求转变的结果,也是中国音乐发展变化的新阶段。民族管弦音画《听见江南》的“视像”表达研究,既是从“视觉包装”来解析舞台视像的构成要素和组合方式,更是从中华文脉中提炼美学特征,继承和发扬优秀的传统民族文化。In recent years,the performance of traditional Chinese music has evolved from a singular mode of presentation in concert halls to more diverse stage expressions.“Visual packaging”has become an important element for organisers and directors of traditional music performances.This encompasses a wide array of styles from costume styling to stage aesthetics.Some performances even incorporated drama elements,turning them into both concerts and comprehensive showcases of traditional Chinese culture.Artistic diversity has made traditional Chinese music performances more enriching and cross-disciplinary.This is a result of changing demands and represents a new stage for Chinese music.The study of the“visual expression”in Chinese orchestral performance Listening to Jiangnan not only analyses the elements and combinations methods of stage visuals from the perspective of“visual packaging”,but also extracts aesthetic characteristics from Chinese cultural heritage,inheriting and promoting outstanding traditional ethnic culture.

关 键 词：视像 民乐 宋画 人文 历史 

分 类 号：J632.61[艺术—音乐]