聊斋诗凄冷气氛研究——基于“气氛美学”的诠释  

Study on the Bleak Atmosphere of Liaozhai Poetry:Interpretation Based on“Atmosphere Aesthetics”

作　　者：娄纯滢 LOU Chunying(Qi Culture Research Institute,Shandong University of Technology,Zibo 255000,China)

机构地区：[1]山东理工大学齐文化研究院,山东淄博255000

出　　处：《广西科技师范学院学报》2024年第1期60-66,共7页Journal of Guangxi Science & Technology Normal University

基　　金：山东省社科规划研究青年项目“聊斋俚曲语气系统的类型学研究”(23DYYJ05)。

摘　　要：蒲松龄的聊斋诗笼罩着一层凄冷气氛。凄冷气氛的形成,始于诗人对现实物理空间中与自己伤感情调相合的凄冷气氛之物及其表现形式的选取,后通过通感手法将其呈现在文学审美空间中,最终形成整体的浑融的凄冷气氛。在凄冷气氛影响下,聊斋诗的空间性得到强化,产生更强的置身感与在场性,甚至超越个体性体验,生成更宽广的普遍性生存反思,实现凄冷气氛的立体性延展,衍生出内涵意义上“羚羊挂角,无迹可求”的审美效果,由此使聊斋诗的审美情蕴实现跃升。The Liaozhai poems by Pu Songling consistently evoke a somber atmosphere.This bleak ambiance is established through the poet's deliberate selection of objects and their modes of expression that align with his own sentimental disposition in physical reality,subsequently presenting them within the literary aesthetic realm through synesthesia.Ultimately,this process culminates in the creation of a cohesive and melancholic atmosphere.Under the influence of this pervasive gloom,the spatial dimension of Liaozhai poems is fortified,resulting in an intensified sense of presence that surpasses individual experiences and engenders a broader contemplation on existence.Consequently,it achieves a multidimensional expansion of the bleak atmosphere while deriving aesthetic effects akin to“the antelope hanging its horns without leaving any trace”within its connotation,thereby elevating the aesthetic significance inherent in Liaozhai poems.

关 键 词：聊斋诗 凄冷气氛 气氛美学 

分 类 号：I206[文学—中国文学]