中国写意花鸟画的意象造型及特征  

Image Modeling and Characteristics of Chinese Freehand Flower-And-Bird Paintings

作　　者：毛益 Mao Yi(Zhanjiang University of Science and Technology,Zhanjiang 524094,China)

机构地区：[1]湛江科技学院,广东湛江524094

出　　处：《黑河学院学报》2024年第5期143-146,共4页Journal of Heihe University

摘　　要：“写意技法”对中国画创作拥有鲜明的现实意义,特别在“意象造型”的创作上,写意“思想”与“方法”能够充分将画家情感与物象融合、衔接起来,提升画面的视觉感染力。花鸟画是中国传统水墨画的一种,可以借助描绘花鸟意象及造型的方式,呈现画家的思想与情感,突出画作的人文意蕴与艺术体验。但为明确中国写意花鸟画的特质,结合写意花鸟画的意象造型的概述、构建机理及特征,提出有益于个人创作的“方向指引”。“Freehand technique”has a clear practical significance to the creation of Chinese painting,especially in the creation of“image modeling”,the freehand“thought”and“methods”can fully integrate the painter’s emotions with the object images,and enhance the visual appeal of the picture.Flower-and-bird painting is a kind of traditional Chinese ink painting.By depicting the images and shapes of fl owers and birds,the painter’s thoughts and emotions can be presented,and the humanistic meaning and artistic experience of the painting can be highlighted.However,for clarifying the characteristics of Chinese freehand fl ower-and-bird paintings,the“direction guide”which is benefi cial to personal creation is put forward by combining the overview,construction mechanism and characteristics of the image modeling of freehand fl ower-and-bird paintings.

关 键 词：中国 写意花鸟画 意象造型 

分 类 号：J222[艺术—美术]