融媒视域下现实题材电影的温情叙事策略研究——以申奥导演作品为例  

On the Warm Narrative Strategy of Realistic Films from the Perspective of Financial Media——Taking the Works of Olympic Bidding Directors as an Example

作　　者：吴谢巍 Wu Xiewei(School of Art and Design,Fuzhou University of Foreign Studies,Fuzhou 350200,China)

机构地区：[1]福州外语外贸学院艺术与设计学院,福建福州350200

出　　处：《黑河学院学报》2024年第5期154-157,共4页Journal of Heihe University

基　　金：福建省教育科学“十四五”规划2022年度“协同创新”(含帮扶项目)“网络亚文化影响下的大学生社会责任感培育机制研究”(Fjxczx22-472)。

摘　　要：近10年来,国产电影以社会热点问题为基础,通过对现实生活的敏锐观察并进行创作,典型的代表莫过于文牧野《我不是药神》。以媒介融合视域下传播力裂变为背景,将社会焦点作为切入点,以申奥导演作品为例,观察、探讨现实题材电影的温情叙事策略,将社会需要、人的心理及市场结合,引导人正确价值观的建立及情感的共鸣。In the past 10 years,domestic fi lms have been based on hot social issues and created through keen observation of real life.The typical representative is Wen Muye’s Dying to Survive.With the background of communication force fi ssion under the vision of media convergence,the social focus is taken as the entry point,and the works of Olympic bidding directors are taken as an example to observe and explore the warm narrative strategy of realistic fi lms,which guides the establishment of people’s correct values and emotional resonance by combining social needs,human psychology and the market.

关 键 词：现实题材 温情 叙事策略 申奥导演 

分 类 号：J904[艺术—电影电视艺术]