道、禅、儒古典哲学美学——朱耷书画创新溯源  

Classical Philosophical Aesthetics of Taoism,Zen,and Confucianism——Tracing the Origins of Zhu Da’s Innovations in Calligraphy and Painting

作　　者：沈名杰[1] Shen Mingjie(Hunan Women’s University,Changsha 410004,China)

机构地区：[1]湖南女子学院,湖南长沙410004

出　　处：《黑河学院学报》2024年第5期175-180,共6页Journal of Heihe University

基　　金：湖南省哲学社会科学基金项目“江永女书文化的活态传承研究”(21YBA254)。

摘　　要：朱耷的书画风格奇俊怪伟、创新。研究结果表明,朱耷独特的人生经历和深厚的哲学修养为其书画艺术的创新提供了坚实的基础。他的书画风格体现了“画法兼之书法”的理念,将书法与绘画相互融合,展现出大胆的创新精神。朱耷的书画艺术创新受到哲学美学思想的深刻影响,其创新不仅表现在技艺和形式上,更重要的是他将道家、禅宗和儒家思想的美学意蕴融入创作中,形成独特的艺术风格和哲学思想。朱耷的书画艺术在中国绘画史上具有重要地位,其独特的艺术风格和哲学思想为后世所赞誉。通过对朱耷书画艺术的深入研究,可以更深入地理解中国传统文化的精髓和美学价值,为现代艺术创作提供宝贵的借鉴和启示。In his calligraphy and painting works,Zhu Da demonstrates the strange and majestic artistic characteristics and innovative elements.Zhu Da’s unique life experience and profound philosophical cultivation provide a solid foundation for his innovation in calligraphy and painting art.From his calligraphy and painting works,Zhu Da embodies the concept of“integrating painting and calligraphy”,showing a bold and innovative spirit.In addition,Zhu Da’s artistic innovation in calligraphy and painting was deeply infl uenced by philosophical aesthetic thoughts.His innovation is not only refl ected in skills and forms,but more importantly,in integrating the aesthetic connotations of Taoism,Zen and Confucianism into his creations,which forms a unique art style and philosophy.Zhu Da’s calligraphy and painting art plays an important role in the history of Chinese painting,and his unique artistic style and philosophical thoughts have been praised by later generations.Through in-depth study of Zhu Da’s calligraphy and painting art,we can have a deeper understanding of the essence and aesthetic value of traditional Chinese culture,and provide valuable reference and inspiration for modern art creation.

关 键 词：朱耷 书画艺术 艺术创新 哲学美学 

分 类 号：J222[艺术—美术]