“诗穷而后工”的文化现象阐释  

An Explanation of the Cultural phenomenon of “Poor Poetry”

作　　者：丁琳 DING Lin(School of Literature and Culture Communication,Tianshui Normal University,Tianshui 741000,Gansu)

机构地区：[1]天水师范学院文学与文化传播学院,甘肃天水741000

出　　处：《陇东学院学报》2024年第3期29-31,共3页Journal of Longdong University

摘　　要：中国古代的文学思想——“诗穷而后工”,即穷困激发文学才华的理论由欧阳修提出,韩愈、陆游等人对其继承发展,再到黄宗羲将其提高到诗歌“原本”的高度。这一理论的内涵是受压迫者的不平之气,与人民的愤懑和反抗精神是相通的。作家必须在不同程度上接触和体验人民的生活,只有深刻反映生活真实的作品才能达到艺术上的“工”。The ancient Chinese literary thought——“Poor Poetry”,that is,in poetry one gains depth after suffering,or excellence in poetry is achieved only after many frustrations,was put forward by OuyangXiu,inherited and developed by Han Yu,Lu You,etc.,and then raised to the“original”level of poetry by Huang Zongxi.The connotation of this theory is the injustice of the oppressed,which is connected with the anger and resistance of the people.Writers must contact and experience people’s life in different degrees,and only works that profoundly reflect the reality of life can achieve artistic“work”.

关 键 词：“诗穷而后工” 理论 文学 精神 

分 类 号：I209[文学—中国文学]