汉画像石的时空体现  

The Spatiotemporal Manifestation of Stone Carvings of Han Dynasty

作　　者：刘光继 LIU Guangji(School of Fine Arts and Design,Baoding University,Baoding,Hebei 071000,China)

机构地区：[1]保定学院美术与设计学院,河北保定071000

出　　处：《保定学院学报》2024年第3期67-74,共8页Journal of Baoding University

摘　　要：汉代造型艺术中的汉画像石一方面可以反映出当时社会的政治、经济、礼制状况,另一方面,其对时空的处理方式折射出先秦时期以老庄为代表的时空观。汉画像石虚实相随、有无相生、动静相宜的画面呈现方式,体现出中国古代审美文化中“天人合一”的思想精髓。On the one hand,the Han stone carvings in the plastic arts of the Han Dynasty can reflect the social,political,economic and ritual conditions at that time,and on the other hand,their way of dealing with time and space reflects the pre Qin era's view of time and space represented by Laozi and Zhuangzi.The visual presentation of Han stone portraits,which are characterized by the combination of virtual and real,the coexistence of existence and non existence,and the balance of motion and stillness,reflects the essence of the concept of"unity of heaven and man"in ancient Chinese aesthetic culture.

关 键 词：汉代造型艺术 汉画像石 中国传统文化 老庄 时空体现 

分 类 号：J205[艺术—美术] K879[历史地理—考古学及博物馆学] K234[历史地理—历史学]