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作 者:刘晓男 孙国军 LIU Xiaonan;SUN Guojun(School of History and Culture,Chifeng University;Editorial Department of the Journal,Chifeng University,Chifeng 024000,China)
机构地区:[1]赤峰学院历史文化学院,内蒙古赤峰024000 [2]赤峰学院学报编辑部,内蒙古赤峰024000
出 处:《赤峰学院学报(哲学社会科学版)》2024年第5期51-54,共4页Journal of Chifeng University:Philosophy and Social Science Chinese Edition
摘 要:细纹刻纸作为中国传统的文化艺术形式,具有深厚的历史底蕴和独特的价值。赤峰市元宝山细纹刻纸承袭古典刻纸艺术,融入现当代艺术元素,用细致入微的表现手法与质朴和精致并重的图像造型,呈现出对自然、生活和价值观的美好追求。本文介绍了元宝山细纹刻纸的发展概况,从作品设计元素及色彩构图方面与乐清刻纸、蔚县剪纸进行比对,分析该刻纸流派的艺术特征,阐明该遗产的价值。最后提出未来要严守作品质量,探索技艺发展,重视产业化与市场推广,以促进元宝山细纹刻纸持续发展。As a traditional Chinese culture and art form,fine-grained carving paper has profound historical heritage and unique value.The fine-grained carving paper of Yuanbaoshan in Chifeng City inherits the classical art of carving paper,integrates modern and contemporary art elements,and presents the beautiful pursuit of nature,life and values with subtle expression techniques and both plain and delicate image modeling.This paper introduces the development of fine-grained carving paper in Yuanbaoshan,compares it with Yueqing fine-grained carving paper and Yuxian paper cutting in terms of design elements and color composition,analyzes the artistic characteristics of this paper carving school,and expounds the value of this heritage.Finally,it is proposed that the future should strictly adhere to the quality of works,explore the development of skills,pay attention to industrialization and market promotion,in order to promote the sustainable development of fine-grained carving paper of Yuanbaoshan.
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