群芳赋语,因花生情——杨木华《苍山草木记》的花卉书写  

A Symphony of Flowers:Yang Muhua's Floral Prose in Notes on Cangshan Flora

作　　者：段丽 Duan Li(School of Literatare,Dali University,Dali,Yunnan 671003,China)

机构地区：[1]大理大学文学院,云南大理671003

出　　处：《大理大学学报》2024年第5期73-78,共6页Journal of Dali University

基　　金：国家社会科学基金西部项目(22XZW026);大理大学博士科研启动费项目(KYBS2018034)。

摘　　要：杨木华散文集《苍山草木记》以花卉书写为最大特色,在生态文明发展观念引领下,灵活运用博物学与地方性知识,将云南大理漾濞苍山西坡多样的生态体系、独特的人地环境作为文化知识资源,书写宏富的花卉品类。以审美主体的视觉感受、生活体验、情感蕴藉为主导,在朴实无华的言语表达中,体现有关人与自然和谐共生关系的思考,以及将普通个体对岁时流转、人事物象迁变所秉持的生活态度、情感倾向、人生感念、生命观念寄寓于花卉书写,移情于花,借花言志,形成基于独特叙事场域的花卉书写模式。Yang Muhua's collection of essays,Notes on Cangshan Flora,is characterized by its profound exploration of floral descriptions.Guided by the principles of ecological civilization,the author skillfully weaves together botanical expertise and local insights,showcasing the diverse ecological system and unique human-environmental dynamics on the western slope of Cangshan in Yangbi,Dali,Yunnan.Guided by the aesthetic subject's visual feeling,life experience and emotions,and with simple and plain words,it reflects the thinking about the harmonious symbiosis between man and nature,as well as the life attitude,emotional tendency,life sentiment and concept held by ordinary individuals to the change of the seasons and the change of human objects and images.A unique narrative mode was formed based on the flora writing.

关 键 词：《苍山草木记》 地方知识 情感表征 花卉书写 

分 类 号：I206[文学—中国文学]